We are very happy with this new stage of growth and learning. Our commitment to us and to you is constantly evolving. This is the first call for registration for the training of fully conscious Argentine tango dancers.
If you’re reading this and thinking: I’m too old! I am not in shape! I would like to but I don’t know if I can do it!
Let me tell you that these ideas are just ideas, thoughts that limit you and take away your power to act; I invite you to leave all these ideas in the trash 🚮, and listen to your inner voice, to your inner child ❤, and let yourself be gently accompanied by us to live this learning experience while having fun! Trust yourself! Trust us and, above all, dare to challenge yourself and overcome your own limits.💪🏻
We have prepared a list of answers to many of your questions to clear up any doubts about this training program. Below 👇🏻 the answers to your questions.
If you can still register. We have a WhatsApp group with the rest of the participants and we organize meetings whose dates we can change so that everyone can be present. We have already anticipated the changes in planning for the year. And you will never miss your school days. We will always find a solution.
You can do whatever you want, this training is not a race against time, it is a friendly educational proposal to help you achieve your goals in an orderly and progressive way.
Yes, you can pay for the training in two parts, indicating the payment date.
You do not need to have a partner because there is no training, not even in Argentina where registration for any dance educational proposal is mandatory for two people. Learning and teaching tango is individual in nature, in addition to having the possibility of practicing and dancing as a couple. You can register alone, and that’s perfect.
Yanina Muzyka y Emmanuel Casal 🏆
Jonathan Spitel & Betsabet Flores 🏆
1st stage: April-May- 2024
2nd stage: June-July 2024
3rd stage: August – September 2024
A training of excellence 💯, unique and unmatched with the presence of world champions of Buenos Aires tango.
Experience – Educational excellence – Awareness and biomechanical training for the organized movement.
During the training, all students will participate in a video and a live show!😃
Dance! And develop your passion! ❤️
It is never too late !
Limited places for 10 people, exclusive training with a coherent educational criterion that allows personalized attention to participants.
Train with the best Masters and perfect your talent 💪🏻
Founder
Creator of the TangoFreemotion Pedagogy
It took me a long time to stop comparing myself to others in order to develop my own movement, mainly because dance is learned through imitation, there is no other way; you first copy and then try to reproduce it in your body.
I attended many classes and had many teachers, as I always say, it’s like life, you learn from the good and the not-so-good. I don’t like to create a curriculum of everything I did or experienced because I believe that a person’s work cannot be summarized in a couple of lines, as those lines can and do contain emotions, experiences, and sensations that are still fresh in my memory and that continue to be the springboard for constant development. They are like living experiences in constant evolution and growth. But I can summarize in a few precise lines what was fundamental for me in my journey of organized and free movement as a dance professional.
I can’t say that I only do Tango because everything integrates for me, and everything has helped me understand and find myself.
I began to enjoy my body when I was 5 years old, watching Michael Jackson dance; I couldn’t think, I just moved, I enjoyed it fully. Then came the passion for sports; I practiced roller hockey, Judo, Taekwondo, Basketball, Volleyball, and I loved doing athletics.
With the education of martial arts, I learned to release energy completely, learned to concentrate the energy of a strike into a group of organized movements to break wood, learned to respect my teacher and my peers. I have only one «thank you» to my teacher Gustavo Brandan, Pan American Taekwondo Champion, for laying the foundations of discipline in my heart.
As I grew up at the age of 12, I discovered tango, thanks to Piazzolla and a young local tango group in my city. It was the first time I saw kids my age dancing. My heart said, «I want to do that!» and off I went. When bodily pains began due to poor basic technique, I decided to seek something different and found ballet, and it was an awakening, a revelation! I discovered the pleasure of a «souplesse,» a grand écart, and pushing my joints to unimaginable limits. My teacher Teresa Nader educated me with wisdom and good judgment so that my balance and perception of it became indispensable for controlling the pirouettes I perform today. Now I can play, create, move, feel, and enjoy my balance and recognize its importance in movement.
My curiosity took me even further, and I explored my body with the methods of Erick Franklin, Feldenkrais, Alexander Technique, Contact Improvisation, detection of neuromotor dysfunctions, neurological taping, a degree in kinesiology at the Catholic University of Santiago del Estero, Active Global Stretching, Global Postural Reeducation, Integrative Osteopathic Massage, Reiki from the traditional Mikao Usui system, Pilates Method of Body Mind Connection, Instructorship in Hatha Yoga at the Embassy of India in Argentina, manual techniques for treating spine pathologies, and myofascial release techniques at the Pilates Educational Center in Avellaneda, Province of Buenos Aires. But the richest experience I have had and still have is the opportunity to interact with hundreds of bodies, structures, and systems of people that I could understand, care for, and help in all these years of teaching and professional practice.
Each and every one of them has provided me with incalculable value, where I can establish the subtle difference between theory and practice, understand that there is always an exception to the rule, and truly comprehend why one structure is completely different from another universe.
I can understand the needs of the human body, its limitations, and help connect its dissociated parts.
In my journey, a student’s «I can’t» represents a challenge for me, a motivation as an educator, and a patient’s «it hurts» represents putting on the Sherlock Holmes cap for me and starting to investigate, discover, and marvel at the answer or the different answers.
The body, people, reactions, results, and processes fascinate me, giving meaning to my life on a scale that only a few understand.
Thanks to all the students, patients, and teachers who have inspired me and continue to show me the infinite possibilities in which the body can sing, dance, express, and feel.
Founder
My journey with art began in my childhood. I was quite shy when it came to interacting with others, so drawing provided me with a refuge, gradually turning into a passion. Through drawing, I learned to be an observer of lines and shapes, allowing them to stimulate my imagination to create.
Later on, my mother, Fabiana, enrolled me in an art school, where I felt fulfilled as I delved into various techniques, eventually completing my degree as a teacher of Fine Arts. Most importantly, my parents have always supported me, and I feel very fortunate for that, so I am very grateful to them.
During my studies in the field of arts, I was drawn to the sound of the violin, in particular. As a result, I enrolled in a Music Diploma program at the Superior School of Music. This way, music began to complement my passion for art. Simultaneously, I took my first steps in tango at the age of 16.
I remember watching dancers on television and listening to pieces by Piazzolla, for example. Without a doubt, with that image and emotion in my body and mind, I felt the natural desire to learn. Consequently, this image deeply connected me to my grandparents, who were avid Tango enthusiasts. Tango music was always playing in my paternal grandmother’s house.
For me, the most significant aspect of all is that tango was the most fundamental experience that changed my life, leading me to discover classical ballet, contemporary dance, theater, and other experiences through my family and friends. Above all, dance allowed me to connect with myself and that inner child who wanted to be seen and heard.
Tango became my obsession; I would dance it in my mind and imagine how I would dance the lyrics of the tangos. Every day, I would listen to tango music and the local tango FM station before going to sleep at night. On the other hand, I felt a bit different compared to other young people of my generation who listened to different music, but I couldn’t stop listening to tango at the age of 16.
Consequently, slowly but surely, I learned the names of the orchestras, their singers, and the lyrics. During that time, I would take my CDs, for example, to tango gatherings with friends, where we would meet to dance and practice. Thanks to this, I learned with great pleasure.
I am very grateful to the teachers who accompanied me. Firstly, Augusto, my great teacher, who helped me in a thousand ways to step out of my comfort zone. Secondly, my first teacher, Jose, who taught me to respect and love tango with its codes and traditions. Thirdly, my ballet teacher, Teresa Nader, who helped me develop my strength and taught me the dance lines to give volume to my tango.
On the other hand, my sister Mayra deserves a special mention. Thanks to her and her support in my early tango classes, I learned to trust myself more.
Together with my sister, we started dancing with Augusto and formed a beautiful energy of creation and constant evolution. For more than 8 years, we have been building dreams and helping many people find freedom through dance, based on our own experience. We use Tango as an instrument to help our students expand their inner love and confidence.
Now, what I do is seek depth in every movement and express myself in the most sincere and honest way possible.